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MONA LISA as MOderN LISA
Modernist artists fought against everything old and so Mona Lisa as the representative of 'the Classic' became the object of hatred and despise. An image that should be desacralized (torn, drawn on it, erased ...).
In 1919, at the peak of Dadaism, they tried to destroy a lot of ‘old things’ but most of all, they wanted to change the old patterns of thinking and Mona Lisa was the first victim. In the year 1919 on the 400th anniversary of Leonardo’s death, Duchamp took a reproduction of Leonardo's Mona Lisa added in pencil a moustache and gave it the title pronounced in French: Elle a chaud au cul (She has a hot arse).
Post-modernism has through Warhol put her beside Marilyn Monroe and Mao, the icons of the modern time - the modern saints. Today, she can be even found in the 'notorious art' of today - advertising.
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L.H.O.O.Q., readymade
Marcel Duchamp
1919
Pencil on a reproduction of Mona Lisa, 19.7 x 12.4 cm
Original: New York, Mary Sisler Collection
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Duchamp as Rrose Selavy
Marcel Duchamp & Man Ray (photo)
1921 (New York)
Sepia tonned print, 15 x 11 cm
France, Alexina Duchamp Collection
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Duchamp as Rrose Selavy
Marcel Duchamp & Man Ray (photo)
1921 (Paris)
Gelatin Silver Print, 21.9 x 17.4 cm
Philadelphia, Museum of Art
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L.H.O.O.Q., replica
Marcel Duchamp
1930
Pencil on a reproduction of Mona Lisa, 64.7 x 48.2 cm
Private collection
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Picabia Mona Lisa
Marcel Duchamp
1942, April
Pencil on reproduction
This item was lost now (it was part of Arp Collection)
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Mona Lisa
Robert Rauschenberg
1958
Ink, pencil and aquarelle on paper, 581 x 730cm
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La Gioconda
Renè Magritte
1960
Oil on canvas, 70 x 50 cm
Private collection
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Double Mona Lisa
Andy Warhol
1963
Silkscreen ink on canvas, 72.4 x 94.3 cm
Houston, Menil Collection
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Four Mona Lisas
Andy Warhol
1963
Silkscreen ink on synthetic polymer paint on canvas, 112 x 74 cm
New York, Metropolitan Museum of Art
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Mona Lisa
Andy Warhol
1963
Silkscreen ink on synthetic polymer paint on canvas, 319.4 x 208.6 cm
New York, Courtesy Blum Helman Gallery
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Mona Lisa
Fernando Botero
1963
Oil on canvas, 183 x 166 cm
Washington, Art Museum of the Americas
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Thirty Are Better Than One
Andy Warhol
1963
Silkscreen ink on synthetic polymer paint on canvas, 279.4 x 240 cm
Private collection
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